Thursday, August 15, 2013

What do women do with their handbag


What do women do with their handbag
when they jump off a bridge?
There is no chair back to hang the bag over
No booth to place the bag on
so that sliding out will require picking it up

It’s a nightmare

Leaving the handbag
at the checkout counter
Having it plucked out of the shopping cart
Leaving it on the adjoining seat
in the movie theater

It is filled with everything she needs
Lipstick
Three different colors
Chapstick
Screwed to the max
Hair brush
She keeps meaning to clean it
Eight pens
None the same
Nail file
Broken
Both pieces
are in there somewhere
Breath mints
Opened
Cigarettes
A lighter
A white plastic spoon
from Wendy’s
Dark glasses
non-prescription
She can’t wear them
Makeup compact
the mirror is broken
Prozac
Keys
Cell phone
Wallet

With pictures of her children
Her identity is in there
It could be stolen
Valium
A two Euro coin
Nickel-Brass
Copper-Nickel

Or she could leave the bag
in the rental car
at Orly
Upset after he told her
On the same bridge
Where she stands now
Wondering what to do
with her handbag

It's a nightmare

Thursday, August 8, 2013

Dievs Rides


Dievs rides
fierce across fields of ice and fire
His horse plunges through snow and flame
Heedless
He rides
Gray cloak billowing behind

He raises a silver sword
And slashes open cosmic dust
To create worlds
Making the world we know
the world of which we are a part
the world we now decimate

Dievs rides
Sword raised
And in one violent thrust
Obliterates that which would
obliterate earth
this human blight

Thursday, August 1, 2013

On the closing of US Embassies


US State Department Press Briefing
QUESTION: Just because, presumably, if a U.S. citizen needs to go to an embassy and you’re not willing to disclose that the embassy is closed, and then they show up and the embassy blows up --

MS. HARF: Right, and of course, we would --

QUESTION: -- that doesn’t seem very fair.


Monday, July 29, 2013

Woman in the Ruins

A story by Michael Peck
From Zouch Magazine (by permission)

The prostitute was not surprised by Berke’s request. Nor when he unscrewed a fold-out easel in the bathroom. Organized his tubes of paint on the sink.

Berke’s city, 1944, bombed into its own shadow. The gathering of photographers excited by all this photogenic death. Orphans prowled the alleyways of his dead city. The orphans wanted to be photographed. The photographers didn’t want to photograph the orphans. The orphans stole the photographers’ equipment. The photographers became incensed and chased the orphans. The orphans hid in closets and cupboards.

  “I want you to shower,” Berke said.

     “I’m clean.”

     She covered her breasts with her hands and stepped into the shower. Awkward in the adolescent purity of the old man’s longing.

     “The water should be cold. Turn away from me and wash yourself as though I’m not here.”

     He outlined a background of disintegrating gray-stone and brick. The white of the parched sky.

The woman in the ruins.

Her short brown hair.

White tight fingers clutching soap.

“Do you like this?” the girl asked.

“Continue to wash yourself,” Berke said.

Of it all, Berke remembered; the sinkhole of a house once belonging to a violin manufacturer, and the naked woman bathing contentedly in the spray of a geysering water main. Scrubbing her shoulders, dark silt drifting down her legs.

It wasn’t her face that he recalled, but the soap. As it slipped through her fingers. As it cascaded along the dusty street. As it descended into the gutter. As the woman turned to him.

The woman in the sinkhole began to cry. She looked pleadingly at Berke. He felt real shame, then. Shame at eavesdropping on her sadness.

He was twelve.

“Look at me,” the woman said to him.

“Look at me,” Berke said to the girl.

He hated the painting as soon as it was finished.

The girl wrapped herself in a towel. When she came up to Berke he slapped her hard on the face with the back of his hand. She was stunned with instinctive tears.

“I’m trying to find something,” he said.

“Did you find it?” she asked.

“No.”

At the door he gave the girl an extra fifty dollars.

Afterwards he walked away to other ruins, wondering who else’s dream the woman would inhabit.

__________________________________________

publishes an eclectic compendium of material from a broad and diverse range of sources and genres, including: poetry; original fiction; nonfiction including interviews, reviews, essays; and commentary on style and design, art, music, cartoons, and other forms of media.

Thursday, June 20, 2013

Planning for my new novel

My new novel, yet to be titled, will take place in North Korea. It will concern a young analyst, Joseph Kimmelmann, who works for a venture capital company, Castle Ventures. Kimmelmann is dispatched to North Korea to weigh the risks and rewards of his firm investing in the completion of the Ryugyong Hotel, Pyongyang's so-called, "Hotel of Doom," for its ill-fated history.

Before he goes, he’s asked by the CIA to do them “a favor.” They know of him through his Korean Studies professor at X university, Professor Smithson. The Professor consults with the CIA and occasionally identifies promising recruits from his Korean Studies program.

The favor is "simple;" just arrange to meet an unnamed man in the DPRK. The man will have something to tell him. No notes are to be passed, nothing is to be written down or recorded, no questions are to be asked. Kimmelmann is simply to remember what he’s told, it will be "non-technical," and convey it to the CIA man upon his return to the States. The meeting will be facilitated by "helpers" in Pyongyang.

Of course, nothing is really simple in North Korea, and Joseph will be tested in ways he can't even imagine.

Wednesday, June 5, 2013

The Lion and the Sun; Self Published

My novel, The Lion and the Son, has now been published in paperback and e-Book form, and is available from Amazon.com, Amazon.co.uk, Amazon.de, Amazon.it, Amazon.in, and Amazon.fr.

‘The Lion and the Sun’ is a story of intrigue, betrayal, and regret set against the threat of nuclear terrorism. The story spans the years 1978 to 2008, although the main action takes place in 1994 during the rise of the Russian Federation from the ashes of the Former Soviet Union, and immediately after the CIA agent Aldrich Ames was found to be a Russian mole. The story centers around Daniel Conte, a CIA field agent tracking the whereabouts of a missing Russian plutonium pit; a softball-sized hunk of plutonium that serves as the core of a nuclear weapon. Conte’s quest takes him first to Vienna, then Istanbul, and then Tehran, where a personal tragedy in 1979 still haunts him. Along the way he will come face-to-face with a shadowy group of terrorists that may be linked to Iranian intelligence. Conte’s mission will uncover repressed memories of past betrayals and lead to new ones that will challenge the very core of his beliefs in his mission, his country, and in himself. The author’s experience in intelligence and counter terrorism shows in this all-too realistic tale of nuclear smuggling, terrorism, and espionage. The plot is topical and engrossing, the characters well-developed, and the descriptions of Vienna, Istanbul, and Tehran could only have been written by someone who was there. ‘The Lion and the Sun’ is one of the books you continue to contemplate well after you’ve turned the last compelling page. The story will appeal to readers who enjoy espionage novels by Alan Furst, Charles McCarry, and John le Carre´.